I'll never know.
From 120' to 1900' (and back), the stupid way.
This post first appeared on Patreon. Thank you to everyone there who helped make it happen.
Chris Knutson has spent years volunteering for and hiking and studying Portland's Forest Park. This month we took a walk together. Here, transcribed into watercolor from my little pencil notes, is a summary of our morning.
Here is Chris Knutson's Leif Erikson Drive article courtesy of the Forest Park Conservancy blog.
I'm starting this series of annotated walks, hopefully not usually solo, in preparation for the September 2018 show, Above and Below the Flood. I'll be posting them first at Patreon for all followers (not just patrons).
A moment at the Wordstock 2017 author signing table. This is more or less what she said to Jon Mooallem. She was so excited. I stole Steve Church’s ballpoint to get this down on my hand. Broke the pen. Couldn’t quite read the writing. Don’t think this is quite what Jon looks like. End of day and I was so fried. But she was so exited to be reading again and that is just so great.
I did not realize how active the collaboration between April Baer and Aaron Scott of OPB’s State of Wonder was until I was accidentally dropped down next to them during a taping. I can’t share details with you, I was too busy to peek, but you should know that while one is onstage interviewing, the other is keeping everything flowing, typing furiously at something or other really important, but totally inaudible to what we experience on the radio.
My drawing position was too dark, the mike angles too close to really see anything. I’ve had to draw and redraw the notes several times. However I remain very grateful to the Literary Arts usher for placing me down in radio HQ.
I’ll post further drawings from Wordstock 2017 as I wrap them up.
The pressure is dropping and an army of altocumulus marched across the entire Confluence sky, west to east, from Ocean to Gorge.
George Saunders recently spoke for the Literary Arts series at Portland's Arlene Schnitzer Concert Hall. Justin Hocking and I were in attendance. I was there to document what I could. however I could, on behalf of Literary Arts; Hocking because he, even after attending the craft discussion at the LitArts HQ earlier in the day, still had not had nearly enough Saunders time.
Literary Arts recorded the talk and will release a podcast in November. My notes were exhaustive, semi-legible, and barely scratched the surface. I've reconstructed what I could in the following images.
A how-to article still under development.
The youngest has, for months, been saying she will model for me. I draw her frequently, but always in action. Last night I took her up on the offer. Here the action is, "I am keeping still and steady so make damn sure you're paying attention to all the relationships between the light, my hair, the glasses, my expression and gaze; get it all and get it good because sitting still isn't quite so easy as it looks."
The second scariest thing I've ever worked on. I'm sensitive and this story just terrified me.
Which is probably a good reason to listen to it. But not if you're really sensitive about horses and dystopias (like me).
The Patreon gave me an excuse to draw birds today. The dipper is stolen straight from JJ Audubon. The rest are a mix of memory and field guide reference. I've drawn each of these birds from life or taxidermy before, but who is to say on which page, in which notebook.
I'd love to go back and draw this two-platform tree house as it progresses. For now here is a drawing of the creator discussing it.
And this is also to say, I've built a Patreon to encourage me to do even more documentary drawing, and to document more of the working process as time lapse and video. Here is a link to the Patreon.
Don't worry, there's a bridge to the platform.
I've been shipping my blue book tiles at least since 2003 (did I ship any of the botanicals in 2001? I don't recall), so: hundreds, safely. The only damage or loss incurred was one tiny, easily repairable edge nick. This summer, however, the USPS finally lost one on its way to a client in Brooklyn. Fortunately, it was insured and so when I, after hours on the phone and online, determined the tile was truly lost and not just slow to arrive, I went back into the studio and painted a second. This one, to the client's relief and to my relief, actually made it all the way.
I can argue in either direction as to which I prefer.
My favorite from #rccc2017 #hansolo and #rey